SIMONA DEACONESCU & VANESSA GOODMAN | BLOT

SIMONA DEACONESCU & VANESSA GOODMAN | BLOT

2020

Keywords

Choreography | Dance | Installation | Contamination | Bacteria | Body

Synopsis

Our bodies have a unique microbial footprint, which comes to define us as biological identities and mental and social bodies. Our social choreography is often challenged by a lack of balance between the inner and outer worlds, which we continuously disturb. Following the events that have defined the recent history of our interaction with the environment and especially with the microorganisms with which we coexist, it is necessary to look at the body as a system that cannot exist outside the multitudes it contains. Contamination has become a term that inspires fear, although it is a natural process by which we change and transform resources.

BLOT proposes a series of performative situations that explore movement in relation to the bacteria in our body. The performance aims to rethink the body as an interconnected system, strong and fragile at the same time. The body is stripped of the social meanings determined by language and redefines itself through a continuous dialogue about coexistence. The two artists work with seemingly invisible connections, but without which the human body could not function.

BLOT analyses how human existence is translated by language through processes of dependence and control, focusing on the fine line between what is useful and what is toxic. There is an order in biological terms copied and reproduced by human intelligence through culturally behavioral systems. Human intelligence has limited control over bacteria through technology and science, but it is ultimately and inevitably subdued by the unknown.

Salt is a restructuring, cleaning, and binding agent. The human body cannot survive without sodium. In BLOT, our salts function as a conductor for creativity, electricity, and infection. Salt is shared by all, from ocean to soil and body, and an essential supporter of life on earth. A dune of 1000 kilograms of salt creates another body on stage. That specific quantity is contained in 900 000 liters of human sweat. Our perspiration system defines our biological identity through our unique body odor created by bacteria. During the 40 minutes of performance, another small dune is created by a device hanged from the ceiling.

Before every performance, the two artist grow their body bacteria in Agar-agar for one month and visualize a Petry dish’s content during the show. This process generates choreographed imagery of their microbe culture broadcasted on a TV. The images portray a micro-world that, when exposed, looks like a macro landscape of an alien world. This visualization creates a context for their nude bodies.

BLOT is a co-production between Simona Deaconescu / Tangaj Collective (Bucharest, RO) and Vanessa Goodman / Action at a Distance (Vancouver, CA), based on close collaboration in work ethics, body visions, artistic dialogue and exchange of resources between the two founding choreographers of organizations. The project benefited from a research residency at Cultivamos Cultura, in Sao Luis, Portugal following the selection of the two choreographers as resident artists in the Biofriction, an European BioArt project, co-financed by the Creative Europe program of the European Union.

The artistic team of the show created and filmed at The National Centre for Dance in Bucharest was completed by the curator Olivia Nițis who offered dramaturgical support, opening communication channels at an ideational level and processes of transforming the studied concepts into scenic actions. Monocube, a composer of Ukrainian origin based in Berlin, at his second collaboration with the choreographer Simona Deaconescu, signs the soundtrack of the show. Ciprian Ciuclea, visual artist and researcher, contributes to the design of stage objects, in a minimal, industrial direction, anchored in scientific principles.

 

Concept and choreography Simona Deaconescu, Vanessa Goodman | Artistic consultant Olivia Nițiș | Music Monocube | Object design Ciprian Ciuclea | Light design Alexandros Raptis | Assistant choreographer Georgeta Corca | Production Laura Trocan | Director of photography Carmen Tofeni | Additional camera operators Cătălin Rugină, Bogdan Marinescu | Video editing Alex Pintică | Graphic design PRETTY/UGLY DESIGN

Artist Bio

Simona Deaconescu is a Romanian choreographer and filmmaker working across genres and formats. Her work explores future scenarios of the body, creating spaces in which nature and technology meet, and the notion of choreography extends beyond the human body. She examines social constructs, at the border of fiction and objective reality, sometimes with irony and black humor. Simona Deaconescu holds a BA in Dance Performance and an MA in Choreography at The National University of Theatre and Film Bucharest and a BA in Film Directing at Media University Romania.

In 2014, she founded Tangaj Collective, and since 2015 she has been the co-founder and artistic director of Bucharest International Dance Film Festival. Simona Deaconescu received the danceWEB Scholarship in 2014, was an Aerowaves Twenty18 Artist and a Springboard Danse Emerging Choreographer in 2019. She

was an artist in residence with European Projects as Moving Digits (2019) and Biofriction (2020). Her hybrid aesthetic and efforts to promote symbiosis of dance, film, and science were recognized with The National Dance Centre Bucharest Award in 2016.

Her body of work includes performances, installations and films, presented on conventional stages, unconventional spaces, galleries and museums, architectural sites, and family houses, reaching audiences from Europe, Canada, and the USA. Simona Deaconescu is actively teaching movement composition and dance filmmaking workshops.

 

Vanessa Goodman respectfully acknowledges that she lives, works and creates on the ancestral and unceded territories of the Coast Salish peoples including the Sḵwx̱wú7mesh (Squamish), Stó:lō and Səl̓ílwətaʔ/Selilwitulh (Tsleil-Waututh) and xʷməθkʷəy̓əm (Musqueam) Nations. She holds a BFA from Simon Fraser University and is the artistic director of Action at a Distance Dance Society. Vanessa is attracted to art that has a weight and meaning beyond the purely aesthetic and uses her choreography as an opportunity to explore the human condition.

She has received several awards and honours, including: The Iris Garland Emerging Choreographer Award (2013); The Yulanda M. Faris Scholarship (2017/18); The Chrystal Dance Prize (2019); The Schultz Endowment from Banff Centre for Arts and Creativity (2019); and the "Space to Fail" program (2019/20) in New Zealand, Australia and Vancouver. Vanessa’s work has been presented in Vancouver by DanceHouse, SFU Woodwards, The Belkin Gallery, The Firehall Arts Centre, The Dance Centre, The Chutzpah! Festival and The Shadbolt Centre for the Arts. Presentations further afield include the Fluid Festival (Calgary), Kinetic Studio (Halifax), The Dance Made in Canada Festival (Toronto), On the Boards (Seattle),

Risk/Reward Festival (Portland), Offset Dance Fest (Brooklyn) and The Bienal Internacional de Dança Do Ceará (Brazil).

Vanessa has been artist-in-residence at Biofriction (Cultivamos Cultura), The Dance Centre, Dance Victoria, Harbourfront Centre, The Shadbolt Centre and The Banff Centre for Arts and Creativity, where she was also on faculty. Most recently Vanessa presented work and was a facilitator for Trinity Laban’s 2020 Co-Lab Project (London).

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