MARÍA CONTRERAS | Saudades with Acento
2022
Keywords
Proportions | Development | Anatomy | Symmetry | Asymmetry | Dimensions | Diversity | Divergence | Generation | Growth
Synopsis
How intense is your love being away from home for so long? Is this intensity mixed with pain, nostalgia, or is it just memories? Nothing ever feels like being at home again, a place that no longer exists. Loving from a distance; a feeling of longing that never ends, an incomplete sense of belonging … These are complex feelings that have no translation.
Thinking about this in a foreign language: this is longing with an accent.
This piece portrays the abstract limbo where my feelings dwell, which has a direct analogy with my physical migration from Colombia to Portugal. The limbo is not only geographic, it is also emotional and linguistic. Will my accent make my sense of belonging forever incomplete? Could it be that my sense of self only exists in Spanish and/or Colombia? Transmitting complex thoughts and emotions through language, makes me feel lost, even thinking about it in Spanish. Although it is an introspective process, the effort of connection continues. The limbo is portrayed by a cyanotype picture of my father meditating in the Colombian forest. When the photo was taken, my father was wearing city clothes; when I developed the photo, I was in Europe. Though we are far from home and do not belong, we strive to connect with the surroundings around us.
Artist Bio
María Contreras is a Colombian filmmaker, visual artist, and anthropologist based in Lisbon. She is interested in documentary, experimental and hybrid films that express alternative social and visual narratives from a female and migrant perspective. Studied Anthropology at Pontificia Universidad Javeriana (PUJ) and earned her master’s degree in Cinema from the Universidade da Beira Interior (UBI). Currently she is working as a documentalist for the Institution Cultivamos Cultura and directing a documentary in collaboration with the research group W@Arhc.pt, about women in architecture in Portugal between 1942 and 1986. Her filmography as a director includes The Namelessness Dance (second place in the Sophia Student Award for Best Experimental Short of the Portuguese Academy of Cinema) and co-directed Catarse (Award for Best Experimental Short at the Porto Femme Film Festival). Participated in Oberhausen Seminar (Germany, 2022) the DocLisboa ’19 Filmmaker Seminar (Portugal, 2019); in the Young Critics Workshop at the European Film Festival (Serbia, 2019), and the ACAMPADOC International Documentary Film Camp (Panamá, 2016).